{"id":495,"date":"2014-04-01T14:01:33","date_gmt":"2014-04-01T14:01:33","guid":{"rendered":"http:\/\/karinwieland.de\/?page_id=495"},"modified":"2018-08-01T15:04:16","modified_gmt":"2018-08-01T15:04:16","slug":"aktuelles-2","status":"publish","type":"page","link":"https:\/\/karinwieland.de\/kw\/","title":{"rendered":"Aktuelles"},"content":{"rendered":"<div style=\"background: #eef0f1;\">\n<p style=\"padding-top: 27px; text-align: right; font-size: 1.2rem;\"><a href=\"https:\/\/youtu.be\/qUnacYzT2-Q\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-983\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/bowie-300x164.jpg\" alt=\"bowie\" width=\"300\" height=\"164\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/bowie-300x164.jpg 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/bowie.jpg 467w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<span style=\"color: #999999;\">\u00abDancing, music, champagne is the best way to forget\u00bb<br \/>\nLast perfomance: David Bowie and Marlene Dietrich<\/span><\/p>\n<\/div>\n<hr \/>\n<h6>Erfrische Dich<\/h6>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1153 size-full\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17.jpg\" alt=\"Rezension SZ Jens Bisky\" width=\"400\" height=\"550\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17.jpg 400w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17-218x300.jpg 218w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17-276x380.jpg 276w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17.pdf\">Jens Bisky \u00fcber Das Geschlecht der Seele in: S\u00fcddeutsche Zeitung 28. 11. 2018<\/a><\/p>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2017\/11\/SZ_Geschlecht_der_Seele_28_11_17.pdf\">SZ_Geschlecht_der_Seele_28_11_17<\/a><\/p>\n<hr \/>\n<h6>zum Nachh\u00f6ren in Deutschlandfunk Kultur<\/h6>\n<p><a href=\"http:\/\/www.deutschlandfunkkultur.de\/sachbuecher-im-gespraech-reden-wir-ueber-geschlechter.974.de.html?dram:article_id=399864\" target=\"_blank\" rel=\"noopener\">Das Geschlecht der Seele<\/a>\u00a0\u00a0 am 2. November 2017<br \/>\nim Literarischen Colloquium am Wannsee.<\/p>\n<p>Ein Gespr\u00e4ch mit Jens Bisky, Susanne Mayer, Ren\u00e9 Aguigah und Karin Wieland<\/p>\n<hr \/>\n<h6><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschauH17.pdf\">Karin Wieland: Das Geschlecht der Seele<\/a><\/h6>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschauH17.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1135\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschau.jpg\" alt=\"\" width=\"600\" height=\"424\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschau.jpg 600w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschau-300x212.jpg 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland_HanserVorschau-538x380.jpg 538w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<hr \/>\n<h6><a href=\"http:\/\/www.lukasverlag.com\/programm\/titel\/432-carola-neher.html\" target=\"_blank\" rel=\"noopener\">Karin Wieland: Liebe ohne Heimat. Carola Neher und Klabund<\/a><\/h6>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1075\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/polly.jpg\" alt=\"Brechts Polly\" width=\"196\" height=\"110\" \/> <em>Brechts Polly<\/em><\/p>\n<p><a href=\"http:\/\/www.lukasverlag.com\/programm\/titel\/432-carola-neher.html\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1077\" style=\"border: solid 1px #000000;\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/carola_neher_cover_.jpg\" alt=\" Karin Wieland: Liebe ohne Heimat. Carola Neher und Klabund\" width=\"400\" height=\"596\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/carola_neher_cover_.jpg 400w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/carola_neher_cover_-201x300.jpg 201w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/carola_neher_cover_-255x380.jpg 255w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<hr \/>\n<hr \/>\n<h6><a href=\"http:\/\/www.his-online.de\/verlag\/9010\/programm\/detailseite\/publikationen\/verhaengnisvoller-wandel\/?sms_his_publikationen%5BbackPID%5D=1252&amp;cHash=f8fd0344073c936d9b4b6097d13e7fa0\" target=\"_blank\" rel=\"noopener\">Karin Wieland: BIELLA-LAB(OR). Portr\u00e4ts aus der Provinz<\/a><\/h6>\n<table style=\"border-bottom: 0; width: 500px;\">\n<tbody>\n<tr>\n<td style=\"border-top: 0;\" colspan=\"2\"><em>\u00dcber die v\u00f6lkische Radikalisierung in der deutschen Provinz<br \/>\n(Fotos: Stadtarchiv Gunzenhausen)<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"border-top: 0;\">\n<p><div id=\"attachment_1089\" style=\"width: 225px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1089\" class=\"wp-image-1089 size-medium\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/10-215x300.jpg\" alt=\"Dr. Heinrich M\u00fcnch, parteiloser B\u00fcrgermeister in Gunzenhausen, um 1928 \" width=\"215\" height=\"300\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/10-215x300.jpg 215w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/10-768x1073.jpg 768w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/10-733x1024.jpg 733w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/10-272x380.jpg 272w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/10.jpg 952w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><p id=\"caption-attachment-1089\" class=\"wp-caption-text\">Dr. Heinrich M\u00fcnch, parteiloser B\u00fcrgermeister in Gunzenhausen, um 1928<\/p><\/div><\/td>\n<td style=\"border-top: 0;\">\n<p><div id=\"attachment_1090\" style=\"width: 245px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1090\" class=\"wp-image-1090 size-medium\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/11-235x300.jpg\" alt=\"Dr. Heinrich M\u00fcnch, NSDAP-Mitglied und SA-Mann, B\u00fcrgermeister in Gunzenhausen, 1932\" width=\"235\" height=\"300\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/11-235x300.jpg 235w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/11-768x982.jpg 768w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/11-801x1024.jpg 801w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/11-297x380.jpg 297w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/11.jpg 1040w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><p id=\"caption-attachment-1090\" class=\"wp-caption-text\">Dr. Heinrich M\u00fcnch, NSDAP-Mitglied und SA-Mann, B\u00fcrgermeister in<br \/>Gunzenhausen, 1932<\/p><\/div><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"http:\/\/www.his-online.de\/verlag\/9010\/programm\/detailseite\/publikationen\/verhaengnisvoller-wandel\/?sms_his_publikationen%5BbackPID%5D=1252&amp;cHash=f8fd0344073c936d9b4b6097d13e7fa0\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1094\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/biella_labor.jpg\" alt=\"Biella Labor\" width=\"400\" height=\"541\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/biella_labor.jpg 400w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/biella_labor-222x300.jpg 222w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/biella_labor-281x380.jpg 281w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<hr \/>\n<hr \/>\n<div style=\"border: solid 1px #cc3333; padding: 20px;\">\n<h3><strong>Dietrich &amp; Riefenstahl&#8220; in Asien:<\/strong><\/h3>\n<p><a href=\"https:\/\/www.goethe.de\/ins\/kr\/de\/ver.cfm?fuseaction=events.detail&amp;event_id=20846623\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1041 size-full\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/scarlett_empress_seoul-e1481754217605.jpg\" alt=\"The Scarlett Empress\" width=\"739\" height=\"225\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/scarlett_empress_seoul-e1481754217605.jpg 739w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/scarlett_empress_seoul-e1481754217605-300x91.jpg 300w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><\/a><\/p>\n<p>Vorf\u00fchrung des Films &#8222;The Scarlett Empress&#8220; und Vortrag von Karin Wieland<br \/>\nKorea <a href=\"https:\/\/www.goethe.de\/ins\/kr\/de\/ver.cfm?fuseaction=events.detail&amp;event_id=20846623\" target=\"_blank\" rel=\"noopener\">22. Oktober 2016 im Korean Film Archive<\/a><\/p>\n<hr \/>\n<p>Vorf\u00fchrung des Films &#8222;Der Blaue Engel&#8220; und Vortrag von Karin Wieland<br \/>\nTaiwan <a href=\"https:\/\/www.goethe.de\/ins\/tw\/de\/ver.cfm?fuseaction=events.detail&amp;event_id=20824293\" target=\"_blank\" rel=\"noopener\"> 19. Oktober 2016 im Taiwan Film Institute\/Taipei<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>July 2016: A lovely shout-out to Dietrich &amp; Riefenstahl by <a href=\"http:\/\/www.nytimes.com\/2016\/07\/24\/books\/review\/megan-abbott-by-the-book.html?rref=collection\/sectioncollection\/books&amp;action=click&amp;contentCollection=books&amp;region=rank&amp;module=package&amp;version=highlights&amp;contentPlacement=5&amp;pgtype=sectionfront&amp;_r=0\">Megan Abbott<\/a><\/p>\n<hr \/>\n<blockquote class=\"twitter-tweet\" data-lang=\"de\">\n<p dir=\"ltr\" lang=\"en\">Fascinating interview with <a href=\"https:\/\/twitter.com\/bookcritics\">@bookcritics<\/a> biography finalist Karin Wieland on women and legacy: <a href=\"https:\/\/t.co\/18e1iuTAY4\">https:\/\/t.co\/18e1iuTAY4<\/a><\/p>\n<p>\u2014 Katie Adams (@KatieANYC) <a href=\"https:\/\/twitter.com\/KatieANYC\/status\/706894543979937793\">7. M\u00e4rz 2016<\/a><\/p><\/blockquote>\n<p><script async src=\"\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<hr \/>\n<div style=\"border: solid 1px #cc3333; padding: 20px;\">\n<p><a href=\"http:\/\/www.nytimes.com\/2016\/01\/19\/business\/national-book-critics-circle-announces-award-nominees.html?emc=eta1&amp;_r=1\">New York Times, 19.1.2016<\/a><\/p>\n<p><a href=\"http:\/\/bookcritics.org\/blog\/archive\/nbcc-awards-finalists-balakian-sandrof-john-leonard-award-winners\">NATIONAL BOOK CRITICS CIRCLE ANNOUNCES ITS FINALISTS FOR PUBLISHING YEAR 2015<\/a><\/p>\n<p>***FOR IMMEDIATE RELEASE Contact: Sarah Russo, SR|PR (917) 627-5993 sarah@sarahrusso.com<\/p>\n<p>NATIONAL BOOK CRITICS CIRCLE ANNOUNCES ITS FINALISTS FOR PUBLISHING YEAR 2015<\/p>\n<p>New York, NY (January 18, 2016)\u2014Today the NBCC announced its 30 finalists in six categories\u2013\u2013autobiography, biography, criticism, fiction, nonfiction, and poetry\u2013for the outstanding books of 2015. The winners of three additional prizes were announced as well. The National Book Critics Circle Awards, founded in 1974 at the Algonquin Hotel and considered among the most prestigious in American letters, are the sole prizes bestowed by a jury of working critics and book-review editors. The awards will be presented on March 17, 2016 at the New School, in a ceremony that is free and open to the public.<\/p>\n<p>BIOGRAPHY<\/p>\n<p>Terry Alford, \u201cFortune\u2019s Fool: The Life of John Wilkes Booth\u201d (Oxford University Press)<\/p>\n<p>Charlotte Gordon, \u201cRomantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley\u201d (Random House)<\/p>\n<p>T.J. Stiles, \u201cCuster\u2019s Trials: A Life on the Frontier of a New America\u201d (Alfred A. Knopf)<\/p>\n<p>Rosemary Sullivan, \u201cStalin\u2019s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva\u201d (Harper)<\/p>\n<p><a href=\"http:\/\/www.nytimes.com\/2015\/12\/06\/books\/review\/dietrich-riefenstahl-by-karin-wieland.html\"><br \/>\n<\/a><span style=\"color: #cc3333;\">Karin Wieland, translated by Shelley Frisch, \u201cDietrich and Riefenstahl: Hollywood, Berlin, and a Century in Two Lives\u201d (Liveright)<\/span><\/p>\n<\/div>\n<hr \/>\n<p><a href=\"http:\/\/books.wwnorton.com\/books\/detail.aspx?id=4294988477\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-696 alignleft\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/dietrich_riefenstahl_engl.png\" alt=\"dietrich_riefenstahl_engl\" width=\"302\" height=\"450\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/dietrich_riefenstahl_engl.png 302w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/dietrich_riefenstahl_engl-201x300.png 201w\" sizes=\"auto, (max-width: 302px) 100vw, 302px\" \/><\/a><\/p>\n<p><em><strong>Dietrich &amp; Riefenstahl<br \/>\nHollywood, Berlin,<br \/>\nand a Century in Two Lives<\/strong><\/em><br \/>\n<em> Norton &amp; Company<br \/>\nLiveright<br \/>\nHardcover<\/em><\/p>\n<hr \/>\n<p>Dietrich &amp; Riefenstahl<br \/>\none oft the most notable nonfiction books 2015 by:<\/p>\n<p><a href=\"http:\/\/www.boersenblatt.net\/artikel-sachbuecher_des_jahres_bei_der__washington_post_.1050625.html?nl=newsletter20151124&amp;etcc_newsletter=1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-923\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/washingtonpost_b-300x45.png\" alt=\"washingtonpost_b\" width=\"228\" height=\"34\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/washingtonpost_b-300x45.png 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/washingtonpost_b-1024x153.png 1024w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/washingtonpost_b-1180x176.png 1180w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/washingtonpost_b.png 1340w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.bostonglobe.com\/arts\/books\/2015\/12\/04\/the-best-books\/pbHAwhg02UDEyRf95kIQiK\/story.html\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-920\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/images.duckduckgo.com_.gif\" alt=\"images.duckduckgo.com\" width=\"200\" height=\"36\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.latimes.com\/style\/holiday\/la-jc-holiday-books-guide-2015-nonfiction-20151125-htmlstory.html\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-790\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/losangelestimes.jpg\" alt=\"losangelestimes\" width=\"200\" height=\"44\" \/><\/a><\/p>\n<div style=\"border: solid 1px #CCCCCC; padding: 20px;\">\n<p>&nbsp;<\/p>\n<p>\u201c[With] hypnotic power\u2026. Wieland uses these two virtuosos\u2019 lives to generate piercing insights about ambition, ego, creativity and the life-changing, world-altering repercussions of a momentous choice.\u201d \u2014 Michael Sragow<br \/>\n<a href=\"https:\/\/www.washingtonpost.com\/entertainment\/books\/dietrich-and-riefenstahl-review-two-women-who-made-fateful-choices\/2015\/10\/19\/f231b5a2-6122-11e5-b38e-06883aacba64_story.html\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-783 alignnone\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/washingtonpost_-e1449069425919.png\" alt=\"washington post\" width=\"200\" height=\"31\" \/><\/a><\/p>\n<p>\u201cThe true subject of [Wieland\u2019s] dual biography is more ambitious: the contrast between good and evil\u2026. She juxtaposes their lives chronologically, raising this implicit question: Did the women ally themselves with a particular nation because that nation reflected their authentic selves? Or did the choice itself\u2014Dietrich&#8217;s move to America; Riefenstahl&#8217;s complicity with the Third Reich\u2014transform them into different people than they would otherwise have been? Wieland offers no pat answers\u2026. Evil here is not banal; it is jaw-droppingly bizarre and eclipses good.\u201d \u2014 M. G. Lord<br \/>\n<a href=\"http:\/\/www.latimes.com\/books\/jacketcopy\/la-ca-jc-dietrich-riefenstahl-20151011-story.html?utm_source=dlvr.it&amp;utm_medium=twitter&amp;dlvrit=717819\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-790\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/losangelestimes.jpg\" alt=\"los angeles times\" width=\"200\" height=\"44\" \/><\/a><\/p>\n<p>\u201cWieland is shrewd\u2026about her subjects and has done serious work&#8230;that give her book credibility, texture, and unending interest. This is the story of two glamorous women whose achievements in another time might have been no more substantial than the images on a screen but who assumed real-life roles with the highest historical stakes. However inscrutable human conduct, it is difficult not to search these lives for insight into some of the modern era\u2019s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation.\u201d \u2014 Claudia Roth Pierpont<br \/>\n<a href=\"http:\/\/www.newyorker.com\/magazine\/2015\/10\/19\/bombshells-a-critic-at-large-pierpont\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-793\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/thenewyorker-e1449070947388.jpg\" alt=\"thenewyorker\" width=\"200\" height=\"159\" \/><\/a><\/p>\n<p>\u201cIlluminating\u2026. Via a fluent, often witty translation by Shelley Frisch, Wieland draws the portrait of women who were ambitious to a degree stunning in their day. Moreover, by tracking their divergent careers together, she is able subtly to suggest some answers to a question that hangs over every mid-century German artist: what kind of responses were available to the Nazi apocalypse?\u201d \u2014 Farran Smith Nehme<br \/>\n<a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/guardian.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-798\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/guardian.png\" alt=\"guardian\" width=\"214\" height=\"44\" \/><\/a><\/p>\n<p>\u201cHowever, the lack of direct comparison is a strength at the end of the book, when the two women&#8217;s final years are juxtaposed. This is a moment for showing and not telling; Wieland (by way of her excellent translator, Shelley Frisch) paints a moving portrait of two women facing up to the costs and limits of determined self-creation.\u201d<br \/>\n<a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/literary_review.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-928\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/literarry_review.png\" alt=\"literarry_review\" width=\"200\" height=\"37\" \/><\/a><\/p>\n<p>\u201cMarlene, Leni, and Jonathan\u201d<br \/>\n<a href=\"http:\/\/www.huffingtonpost.com\/books\/the-blog\/2015\/10\/31\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-963\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/huff.png\" alt=\"huffington post\" width=\"163\" height=\"24\" \/><\/a><\/p>\n<p>\u201ctheir brand of ambition was identical\u201d<br \/>\n<a href=\"http:\/\/www.telegraph.co.uk\/books\/what-to-read\/dietrich-and-riefenstahlby-karin-wieland-review-their-brand-of-a\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-991\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/TheTelegraph.png\" alt=\"TheTelegraph\" width=\"194\" height=\"31\" \/><\/a><\/p>\n<p>Jenny McPhee about two girls\/divas from Berlin:<br \/>\n<a href=\"http:\/\/3ammagazine.com\/3am\/they-can-sag-a-little-cant-they-the-extraordinary-careers-of -two-divas-from-berlin\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-993\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/3amMagazine.png\" alt=\"3amMagazine\" width=\"200\" height=\"43\" \/><\/a><\/p>\n<p>\u201cjoint biography of two indomitable artists is triumph\u201d<br \/>\n<a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/books\/reviews\/dietrich-riefenstahl-hollywood-berlin-and-a-century-in-two-lives-by-karin-wieland-translated-by-a6759096.html\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-998\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/independent.png\" alt=\"independent\" width=\"200\" height=\"33\" \/><\/a><\/p>\n<\/div>\n<hr \/>\n<p>Dietrich &amp; Riefenstahl<br \/>\nAmerikanischer Sound, Kl\u00e4nge aus Wien und Berliner Melancholie:<\/p>\n<p><a href=\"http:\/\/karinwieland.de\/?page_id=414\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-974\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/movie1-300x140.jpg\" alt=\"movie1\" width=\"300\" height=\"140\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/movie1-300x140.jpg 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/movie1.jpg 466w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<hr \/>\n<p>\u201cBehold Karin Wieland&#8217;s Dietrich &amp; Riefenstahl, a double-decker biography about a pair of sacred monsters that motors the length of a century, through two world wars, countless affairs, still-burning controversies, and white satin streams of Hollywood lore, never losing focus on the point on the horizon where fame and infamy meet\u2026As a mere mortal myself, I finished Dietrich &amp; Riefenstahl fully sated and completely agog.\u201d<br \/>\n\u2014 James Wolcott, Vanity Fair columnist and author of the PEN Award\u2013winning collection Critical Mass<\/p>\n<p>\u201cSuperb.\u201d \u2014 Die Zeit<\/p>\n<p>\u201cDietrich &amp; Riefenstahl tells an extraordinary story of the twentieth century.\u201d \u2014 Die Welt<\/p>\n<p>\u201cMarlene Dietrich and Leni Riefenstahl have found an ideal biographer in Karin Wieland. She brings a lively style, a wealth of detail, and a perfect balance between skeptical objectivity and measured sympathy to her account of the parallel and then diverging lives of these two ambitious women.\u201d \u2014 Celia Applegate, Vanderbilt University<\/p>\n<p>\u201cAn outstanding double biography.\u201d \u2014 S\u00fcddeutsche Zeitung<\/p>\n<hr \/>\n<p>2. Dezember 2015<\/p>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/shelley_fisch.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-912\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/shelley_fisch-300x207.jpg\" alt=\"shelley_fisch\" width=\"300\" height=\"207\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/shelley_fisch-300x207.jpg 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/shelley_fisch-552x380.jpg 552w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/shelley_fisch.jpg 553w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\nDorothea von Moltke, Shelley Frisch und Michael Wood<br \/>\n\u201cDietrich &amp; Riefenstahl\u201d at the <a href=\"http:\/\/humanities.princeton.edu\/node\/1474\">Council Of Humanities at Princeton University<\/a><\/p>\n<hr \/>\n<p>19. November 2014<br \/>\n\u00dcber Henrik Ibsen, der bereits alles \u00fcber uns wu\u00dfte<br \/>\n<a href=\"http:\/\/www.hanser-literaturverlage.de\/buch\/lebensluegen-im-kapitalismus\/978-3-446-24827-4\/\" target=\"_blank\" rel=\"noopener\"><br \/>\n<\/a><a href=\"http:\/\/www.hanser-literaturverlage.de\/buch\/lebensluegen-im-kapitalismus\/978-3-446-24827-4\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-653 size-thumbnail\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/Wieland-Bude-Ostermeier_24827-150x150.jpg\" alt=\"Wieland-Bude-Ostermeier_24827\" width=\"150\" height=\"150\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland-Bude-Ostermeier_24827-150x150.jpg 150w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland-Bude-Ostermeier_24827-300x300.jpg 300w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland-Bude-Ostermeier_24827-1024x1024.jpg 1024w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2014\/04\/Wieland-Bude-Ostermeier_24827.jpg 1400w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><br \/>\ndie Hanser Box<br \/>\n<strong>Lebensl\u00fcgen im Kapitalismus<\/strong> von Karin Wieland, Heinz Bude und Thomas Ostermeier<\/p>\n<hr \/>\n<p>Juni 2014<br \/>\nSex class is so deep as to be invisible<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-839 alignnone\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2014\/04\/shulamit_firestone.jpg\" alt=\"shulamit_firestone\" width=\"150\" height=\"222\" \/><\/p>\n<p>Die Juni &#8211; Ausgabe der Zeitschrift <strong>Mittelweg 36<\/strong> herausgegeben vom Hamburger Institut f\u00fcr Sozialforschung mit einem Schwerpunkt zu <strong>Shulamit Firestone<\/strong> und einem Beitrag von Karin Wieland zu der radikalen New Yorker Feministin: <a href=\"http:\/\/www.his-online.de\/fileadmin\/verlag\/leseproben\/978-3-86854-726-9_01.pdf\" target=\"_blank\" rel=\"noopener\">Forlorn<\/a><\/p>\n<p>in: <a href=\"http:\/\/www.his-online.de\/zeitschrift\/mw36-archiv\/1225\/32014\/?sms_his_publikationen[backPID]=19&amp;sms_his_publikationen[medium]=0&amp;cHash=4ea093c1a6597fdf3abdabaf30cf1b03\">Mittelweg 36 (Juni\/Juli 2014)<\/a><\/p>\n<hr \/>\n<p>Verrat beging sie stets aus Liebe.<\/p>\n<p><a href=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2012\/03\/verraeter.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-843\" src=\"http:\/\/karinwieland.de\/wp-content\/uploads\/2012\/03\/verraeter-202x300.jpg\" alt=\"Verr\u00e4ter Thomas Koebner Projektioonen Bd. 9 Hans Richard Brittnacht (Hg)\" width=\"202\" height=\"300\" srcset=\"https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2012\/03\/verraeter-202x300.jpg 202w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2012\/03\/verraeter-689x1024.jpg 689w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2012\/03\/verraeter-256x380.jpg 256w, https:\/\/karinwieland.de\/kw\/wp-content\/uploads\/2012\/03\/verraeter.jpg 1492w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><\/p>\n<p>Karin Wieland:<br \/>\nTreue und Verrat. Marlene Dietrich aus Berlin,<br \/>\nin: Hans Richard Brittnacher (Hg.): Verr\u00e4ter. M\u00fcnchen 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abDancing, music, champagne is the best way to forget\u00bb Last perfomance: David Bowie and Marlene Dietrich Erfrische Dich Jens Bisky \u00fcber Das Geschlecht der Seele in: S\u00fcddeutsche Zeitung 28. 11. 2018 SZ_Geschlecht_der_Seele_28_11_17 zum Nachh\u00f6ren in Deutschlandfunk Kultur Das Geschlecht der Seele\u00a0\u00a0 am 2. November 2017 im Literarischen Colloquium am Wannsee. Ein Gespr\u00e4ch mit Jens Bisky, &hellip; <a href=\"https:\/\/karinwieland.de\/kw\/\" class=\"more-link\">Weiterlesen <span class=\"screen-reader-text\">Aktuelles<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-495","page","type-page","status-publish","hentry","without-featured-image"],"_links":{"self":[{"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/pages\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/comments?post=495"}],"version-history":[{"count":372,"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/pages\/495\/revisions"}],"predecessor-version":[{"id":1208,"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/pages\/495\/revisions\/1208"}],"wp:attachment":[{"href":"https:\/\/karinwieland.de\/kw\/wp-json\/wp\/v2\/media?parent=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}